Two drug dealers on the lam seek refuge inside their mentally unstable friend’s mansion. But in order to stay, they have to participate in her elaborate, and increasingly dangerous, game of permanent make-believe.
Rooted in Polanski-like psycho horror and with an ending that is interpretively ambiguous, this film comes with a little haughtiness that suggests pretension. ‘Braid’ leaves something to be desired as a story, but it still establishes Mitzi Peirone as a respectful and respectable risk-taker who demonstrates a true love of the genre and of the medium.
- Jake Watt
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